carlosaranzamendy:

Photo Willy Vanderperre
lelaid:

Natasha Poly in Warm Leatherette for Muse, Fall/Winter 2009
Shot by David Sherry
Styled by Katie Shillingford
vroomheid:

Comme des garçons, 1988
“Of course there are business as well as creative reasons for the Comme des Garçons style. The point of a remarkable interior is to evoke such a strong sense of identity that even the most humble purchase - a belt or a pair of socks - brings with it some of that underlying identity. The contrast between the textures of the garments, hanging on neatly spaced racks that read like sculptural elements and the cement wall is all part of the establishment of the uniqueness of the Comme des Garçons label. To put too many garments on display can diminish their impact, hence the company’s first Paris shop had on show less than half the stock a conventional high-fashion retailer would have installed. In environments with so few distractions, the customer can hardly fail to be aware of the subtle qualities of the clothes.”
from rei kawakubo and comme des garçons
gabbigolightly:

Future Perfect, Snejana Onopka, Vogue Italia, 2005 by Steven Meisel gabbigolightly:

Future Perfect, Snejana Onopka, Vogue Italia, 2005 by Steven Meisel gabbigolightly:

Future Perfect, Snejana Onopka, Vogue Italia, 2005 by Steven Meisel gabbigolightly:

Future Perfect, Snejana Onopka, Vogue Italia, 2005 by Steven Meisel
labsinthe:

"Organized Robots" photographed by Steven Meisel for Vogue Italia 2006
labsinthe:


"You’ve Been a Very Bad Girl. A Very, Very Bad Girl" Jeneil Williams photographed by Daniel Jackson for i-D 2010
labsinthe:


"You’ve Been a Very Bad Girl. A Very, Very Bad Girl" Jeneil Williams photographed by Daniel Jackson for i-D 2010
stormtrooperfashion:

Sigrid Agren in “Sunset Boulevard” by Greg Kadel for Numéro #152, April 2014
See more from this set here.
9th:

[Patti Smith for Ann Demeulemeester, S/S 2000]
martas-wonderland:

Celine Fall/Winter 2011 Campaign by Juergen Teller